Bibliography
Introduction |Zvenyhora (1928) | Arsenal (1929) | Earth (1930) | Conclusions
Filmography | Earth Chronology | Bibliographies | Contact
Reviews and Historical Critique of Dovzhenko’s Silent Trilogy
These bibliographies present a slender range of the more important historical source critique and contemporary reviews regarding Zvenyhora, Arsenal and Earth. They draw selectively from Soviet panegyric and Dovzhenko ‘hagiographies’. For lengthier bibliographies of this type see Rubinshtein, Iu. and Kinovedcheskie Zapiski 1994 (Special Dovzhenko anniversary, Earth Conference issue). For a larger Ukrainian deconstructive contextualization of party line critique, see Koshelivets, Ivan. Oleksandr Dovzhenko: Sproba Tvorchoi Biohrafii. Munich: Suchasnist, 1980.
There are also several primary source bibliographies dealing strictly with Dovzhenko from different language sources and historic periods each possessing differently oriented levels of completeness. Each of these bibliographies have different emphases and strengths regarding languages and areas covered. For the benefit of future researchers needing more exhaustive source material see:
Amenguel, Barthelmy. Alexandre Dovjenko. Paris: Seghers, 1970. (French and Italian).
Carynnyk, Marco. comp. Alexander Dovzhenko: A Selected Bibliography. Cambridge, MA: The MIT Press, 1973. (Ukrainian, German, Russian).
Nebesio, Bohdan. Research Report #58 Alexander Dovzhenko: A Guide to Published Sources. Edmonton, AB: CIUS Press, 1995. (English, Russian, Ukrainian).
Rubinshtein, Iu. “Bibliograficheskii ukazatel’ literaturnykh proizvedenii A.P. Dovzhenko i materialov o ego tvorchestve.” Iz istorii kino: Materialy i dokumenty vyp. 1. Moskva: AN SSSR, 1958. 149-96. (Russian).
Rubinshtein, Iu. “Bibiograficheskii ukazatel’ rabot A.P. Dovzhenko: Fil’mografiia.” Aleksandr Dovzhenko. By R.N. Iurenev. Moskva: Iskusstvo, 1959. 172-190. (Russian).
Kinovedcheskie Zapiski 23 (1994). (Russian and the Languages of the Republics).
The following bibliographies are more slender, drawing on more important contemporary review and historical critique of Dovzhenko.
Zvenyhora
Bazhan, M. “Zvenyhora” Zhyttia i Revoliutsiia 1928. 1: pp. 110-112.
Bazhan, Mykola. “Lehendy ta Istoriia” Kino 1927. 21-22: pp. 2-3.
Bazhan, Mykola. “Tvortsi Lehend i tvortsi istorii” Zvenyhora: zbirnyk. Kyiv: VUFKU, 1928. pp. 19-26.
Cherniak, E. “Shliakhy ukrains’koi radians’koi kinematohrafii” (Zvenyhora and Arsenal) Krytyka. 1929.5: pp. 78-97.
Deslav, Ie. “Uspikh Zvenyhory v Paryzhi.” Kul’tura i pobut (supplement to Visti) April 21, 1928; Proletars’ka Pravda April 22, 1928.
Deslav, Ie. “Zvenyhora - sensatsiia paryz’koho ekranu” Nove Mystetstvo. 1928.10-11: p. 5.
Iakubovs’kyi, F. “Pro Tarasa i Zvenyhoru.” Zvenyhora: Zbirnyk. Kyiv: VUFKU, 1928. pp. 27-36.
Ianovs’kyi, Iurii. “Zvenyhora” in his Tvory v piaty tomakh. vol. 5. Kyiv: Radians’kyi pys’mennyk, 1959. pp. 126-135.
Kepley, Vance, Jr. “Folklore as Political Rhetoric: Dovzhenko’s Zvenigora.” Film Criticism. 6.1. (1982): pp. 37-46.
Khmuryi, V. “Pershyi Ukrains’kyi Fil’m” Zvenyhora: Zbirnyk. Kyiv: VUFKU, 1929. pp. 37-40.
Kostiuk, Iu. “Ukrains’ki filmy v Prazi.” Kino 1928:9:2.
Margolit, E. “Zvenigora” Iskusstvo Kino 1988.4: 96-99.
Pertsov, Viktor. “Zvenigora.” Novyi Lef 1928. 1: 46-47.
Savchenko, Iakiv. “Epokhal’nyi Fil’m” Zvenyhora: Zbirnyk. Kyiv: VUFKU, 1928. 11-18.
Sitney, P. Adams. Modernist Montage: The Obscurity of Vision in Cinema and Literature. New York: Columbia UP, 1990. 38-52.
Skrypnyk, Leonid. “Zvenyhora O. Dovzhenka.” Nova Generatsiia 1927. 3: pp. 56-58.
Smolych, Iu. “Pershyi den’ Ukrains’koi Kinematohrafii: Z pryvodu fil’mu Zvenyhora.” Nove Mystetstvo. 1928. 7: pp. 2-3.
Zvenyhora: Zbirnyk. Kyiv: VUFKU, 1928.
Arsenal
Barbusse, Henri. “Anry Barbius pro Arsenal.” Kino 1929.5:3.
“Arsenal v Niu Iortsi.” Kino 1930.3: 4.
“Arsenal za Kordonom” Kino 1930:2: p. 14.
“Arsenal.” (Reviews) Film Daily 17 November 1929; Variety 13, November 1929; Daily News 11 November 1929.
Bakshy, Alexander. “The Miracle of Arsenal”. The Nation 27, March 1929.
Barbusse, Henri. “Prekrasnyi Ukrainskii Fil’m Arsenal” Iskusstvo Kino 1974.9: 68-71. (Trans. from the French Weekly Le Monde 16 February 1929)
Barbusse, Henri. One Looks at Russia. trans. Warren B. Wells. London: J.M. Dent and Sons, 1931. (Chapter on Arsenal)
Bazhan, M. “Arsenal” Vikna 1930.5: 55-57.
---.”Monolitnyi fil’m.” Komsomolets Ukrainy 21 December 1928.
Bazhan, M. “Arsenal” Kino 1928.12: 10-11.
Cherniak, E. “Shliakhy Ukrains’koi radians’koi kinematohrafii.” (Zvenyhora and Arsenal) Krytyka 1929.5: pp.78-97.
Dniprovs’kyi, I. “Nezabutni kartyny i tumanni symvoletky.” Komsomolets Ukrainy 21 December 1928.
Hall, Mordaunt. “Russian Symbolism.” New York Times 11 November 1929.
Hanson, Steven L. “Arsenal.” The International Dictionary of Films and Filmmakers: vol 1. Ed. Christopher Lyon. Chicago: St. James Press, 1984. pp. 39-40.
Hets, Semen. “Arsenal” Komsomolets Ukrainy December 20, 1928.
K.M. “Arsenal by Dovjenko” Close-up 6.1 (1930) 39-41.
Lopatyns’kyi, F. “Pliusy i minusy Arsenalu” Komsomolets Ukrainy 21 December 1928.
Mais’kyi, M. “Zamist epopei -fars” Komsomolets Ukrainy December 21, 1928.
Pliouchtch, L. “Dovjenko et Arsenal.” La Revue de la Cinémathèque 3 (Oct/Nov 1989): pp. 13-14.
Polishchuk, V. “Fal’shyvyi Arsenal.” Komsomolets Ukrainy December 21, 1928.
Savchenko, Iakiiv. “Arsenal.” Krytyka 1929.3: 104-13.
Semenko, Mykhail. “O Dovzhenko ne henii” Literatura i mystetstvo (supplement to Visti) March 2, 1929.
Sitney, P. Adams. “Dovzhenko’s Intellectual Montage.” The Essential Cinema: Essays on Film in the Collection of Anthology Film Archives, vol. 1. Ed. P. Adams Sitney. New York: New York University Press, 1975. pp. 88-94.
Zerov. “Novyi fil’m Dovzhenka” Kino-hazeta 30 September 1928.
Earth
B-t. Iu. “VUORRK ta Zemlia” Nova generatsiia 1930.5: 53.
Bakshy, Alexander. “Soil.” The Nation 29 October 1930.
Bazhan, M. “Zemlia.” Vikna 1930:9: 52-56.
Bazhan, Mykola. “Zemlia.” Kino 1930.5:8-9.
Bednyi, Demian (pseud. of Efim Pridvorov) “Filosofy” Izvestiia April 4, 1930.
---.”Kononizatsiia’ ili ‘chto i trebovalos’ dokazat’!(k diskussii o kinofil’me Zemlia)” Izvestia 6 April 1930.
Burns, Paul. “Cultural Revolution, Collectivization and Soviet Cinema: Eisenstein’s Old and New and Dovzhenko’s Earth.” Film History 11.4 (1981): 84-96.
Cipriani, Ivano. “La Terra di Dovgenko.” Cinema Sovietica 1.2(1954): 47-52.
“December 1930: Soil.” From Quasimodo to Scarlett O’Hara: A National Board of Review Anthology 1920-1940. Ed. Stanley Hochman. New York: Frederick Ungar, 1982. p. 126.
Duranty, Walter. “Moscow in Furor over Kulak Movie.” New York Times 10 April 1930.
Grierson, John. “Earth Review” (orig. published November 1930, Clarion). Republished in Grierson on Documentary. ed. and Compiled by Hardy Forsyth. London: Faber and Faber, 1966.
Gor’kii, M. “Literatura i Kino: Rech’ na soveshchanii pisatelei, kompozitorov i kinorezhisserov 10 aprelia 1935 goda” (Zemlia& Ivan) Kino (M) 17 April 1935: Literaturnaia gazeta 15 April 1935.
Hall, Mordaunt. “Earth.” New York Times October 21, 1930.
Hausmann, Raoul. “Dowshenkos Erde” in Bilanz der Feierlichkeit. Munchen: Edition Text und Kritik GmbH, 1988.
“Iorys Ivens pro fil’m O. Dovzhenka Zemlia.” Kino 1930.6: p.14.
Kelman, Ken. “Classic Plastics (And Total Tectonics.” Film Culture 31 (Winter 1963-64): pp.44-46.
Various authors. Kinovedcheskie Zapiski (#23) 1994. Under the heading ‘Earth’, a number of Russian papers presented at a conference devoted to Dovzhenko’s film.
Margolit, E. “Zemlia.” Iskusstvo kino 1990.12: 102-109.
Marshall, H.P.J. “Zimla (Earth). VUFKU” Close-up 7.3 (1930): 171-76.
Potamkin, Harry Alan. “Soil Review, December 19 1930”. The New Masses. p. 19. Reprinted in The Compound Cinema: The Film Writings of Harry Alan Potamkin. New York: Teachers College Press, 1977. pp. 480-481.
Perez, Gilberto. “All in the Foreground: A Study of Dovzhenko’s Earth.” Hudson Review (1975): 68-86.
---.”The Meaning of Revolution. in The Material Ghost: Films and Their Medium. Baltimore: Johns Hopkins University Press, 1998. pp. 149-193.
R. H. “Russian Film at Soviet Embassy: Dovjenko’s The Earth.” The Manchester Guardian 11 September 1930.
Rotha, Paul. “Earth” in Celluloid: The Film Today. London: Longmans, Green and Co. 1933. pp. 135-153.
Rotha, Paul. Rotha on Film: A Selection of Writings on the Cinema. Fair Lawn, NJ: Essential Books, 1957. pp. 113-22.
Savchenko, Iakiv. “Maister Syntezy (Zemlia - novyi fil’m Dovzhenka). Zhyttia i Revoliutsiia, 1930. 1: pp. 141-54.
Savyt’kyi, Roman. “Pomiry Zemli O. Dovzhenka.” Suchasnist 1975.7-8: 106-112.
Schloss, Gilbert. “Earth” Film Notes. ed. Arthur Lenning. Madison, WI: Wisconsin Film Society,1960. pp. 71-75.
“Soil” (American Reviews) Film Daily 19 October 1930, Judge 15 November 1930, Variety 22 October 1930.
Svashenko, S. “Rozhdenie tantsa Vasilia v Zemle” Iskusstvo Kino 1967. 1: 77-80.
Svashenko, S. “Iak narodzhuvavsia tanets Vasylia. Mystetstvo 1966. 3: 23-24.
“Zakordon pro Zemliu” Kino 1930. 12: 3-5.
Zet, Iulian. “Mat’ malorosiia: Kino-kartyna Zemlia ta proletars’kyi hliadach” Nova generatsiia 1930.5: 53-55.
Dovzhenko’s Writings (Selective and Chronological)
“Do problemy obrazotvorchoho mystetstva” Vaplite 1926. 1: 25-36.
“Lyst do redaktsii” (with Iu. Ianovs’kyi) Vaplite 1927.3: 210.
“Kino Zakrychalo. Nashi Fil’mari pro ton fi’lm (interview) Kino 1928. 12: 5. (early statement on the sound film)
“Pro svii fil’m” Zvenyhora zbirnyk. Kyiv: VUFKU, 1928. pp. 41-44.
(Speech on Screenplays) Literatura i mystetstvo 15 December 1929; reprinted in Hart 1930. 1: 218-220.
“Dovzhenko o sve metode tvoreni filmu” (interview with L. Linhart) Tvorba (Praha) 1930.5: 429-30.
“Dovzhenko on the Sound Film.” (interview with R. Bond) Close Up 7.4 (1930): 273-75.
“Profession de foi d’un cineaste sovietique.” La Review du Cinema 14 (September 1, 1930): 18-20: English trans. in “Testament of Faith of a Soviet Director” in Jay Leyda’s An Index to the Creative Work of Alexander Dovzhenko (Special Supplement to Sight and Sound, Index Series, No. 12). London, 1947. Reprint New York: Gordon Press, 1980 (1947).
“Zemlia.” Avangard (al’manakh) Kyiv, 1930. 16-22.
“Zemlia. Uryvok Druhyi” (screenplay) Vikna. 1930. 9: 57-60.
“Iak ia stav fi’movym rezhyserom” Novi Shliakhy 1931.1.
“My Method.” As related to L. Linhart and trans. K. Santor. Experimental Cinema 1.5 (1934): 23-24.
“History of a Career: Dovjenko Assembles Some Notes for the Story of His Camera Life. New York Times, December 29, 1935.
“Uchitel’ i drug Khudozhnika” (The Teacher and Friend of the Artists” (Example of Party constructed panygeric: Dovzhenko pronouncing on Stalin”. Iskusstvo kino 1937.10:15-16. This is the poor Dovzhenko choice used in Taylor and Christie’s highly regarded Film Factory: Russian and Soviet Cinema in Documents. Cambridge, MA: Harvard UP, 1988. pp. 383-385.
“Slovo v fil’me.” Iskusstvo kino 1953.3: 28-47.
“Autoportrait.” Interview by Georges Sadoul. Les Lettres Françaises 6 December 1956.
“Poem of an Inland Sea” trans. Eve Manning Soviet Literature 6 (1957). pp. 3-71.
“The Enchanted Desna” trans. Eve Manning. Soviet Literature 6 (1958) Moscow. pp. 3-44.
Lektsii na stsenarnom falkul’tete. Moskva: VGIK. Kafedra Kinorezhissury, 1963.
Tvory v piaty tomakh. (Works in Five Volumes) Ed. Oleksandr Pidsukha. Introduction by Maksym Ryls’kyi. Kyiv: Dnipro, 1964-65. (To note: there are six differing Soviet Party-era versions of Dovzhenko’s various ‘complete’ works). For this dissertation, most of the Dovzhenko quotes come from this first phase Krushchev thaw version.
Dovzhenkovi dumy. Aforyzmy. Krylati vyrazy. Tvorchi rodumy. Skalky dumok vysokykh. Ed. M. Kovalenko and O. Pidsukha. Kyiv: Molod, 1968.
Pro Krasu. Comp. Oleh Babyshkin. Kyiv: Mystetstvo, 1968.
“The Enchanted Desna.” Stories of the Soviet Ukraine. Moscow Progress Publishers, 1970. pp. 11-36.
“The Dovzhenko Papers.” Trans. Marco Carynnyk. Film Comment 7.3 (Fall 1971): 34-41.
Alexander Dovzhenko: The Poet as Filmmaker. ed and trans. Marco Carynnyk. Cambridge, MA: MIT Press, 1973.
“Earth” trans. Diana Matias. Mother, a film by V. I Pudovkin; Earth a film by Alexander Dovzhenko. London: Lorrimer, 1973: Simon and Schuster, 1973. pp. 55-102.
The Enchanted Desna (trans. A. Bilenko) Kyiv: Dnipro, 1979.
Dovzhenko i Svit: Tvorchist’ O. P. Dovzhenka v Konteksti svitovoi Kul’tury. Ed. S. P. Plachynda. Kyiv: Radianskyi Pysmennyk, 1984.
Zacharovana Desna, Ukraina v Ohni, Schodennyk. Kyiv: Veselka, 1995.
Articles, Books and Dissertations on Dovzhenko (Selective and Alphabetical)
“A. Dovzhenko Dies; Russian Filmmaker (obituary). New York Times, November 27, 1956.
Agel, Henri. “Alexandre Dovjenko (1894-1956)” Les Grands Cinéastes que je propose. Paris: Les Editions du Cerf, 1967. pp. 121-25
Aleksandrov, G. “Talantlivyi master kino.” Ogonek 1955.6:10.
Altman, Georges. “Le Cinéma russe” in L’Art Cinématographique. Alcan, 1931.
Amengual, Barthélemy. “A la rencontre de Dovjenko.” Cinéma 70 147 (June 1970): 31-38.
---. “L’arte e l’ombra di Dovzhenko danno ancora fastido.” Cinema nuovo 204 (April 1970): pp. 100-11.
---. Alexandre Dovjenko. Cinéma d’aujourd’hui 60. Paris: Seghers, 1970.
Auriol, Jean Georges. “Formes et manières.” La Revue du Cinéma 3.18 (1948): 42-48.
Babyshkin, Oleh., ed. Oleksandr Dovzhenko: Zbirnyk spohadiv i statei pro myttsia. Introduction by Pavlo Tychyna. Kyiv: Derzhavne vydavnytstvo obrazotvorchoho mystetstva i muzychnoi literatury URSR, 1959.
Balázs, Bella. “Novye fil’my - novye zhizneoshchushcheniia.” Sovetskoe kino 3-4 (1933).
Barabash, Iu. Chyste zoloto pravdy: Deiaki pytannia estetyky i poetyky O. P. Dovzhenka. Kyiv: Radians’kyi pys’mennyk, 1962.
Bazhan, Mykola. O. Dovzhenko: narys pro myttsia. Kyiv: VUFKU, 1930.
Belza, Ihor. “Spivets novoho svitu. Iz spohadiv pro O. Dovzhenka.” Literaturna hazeta 4 August 1959.
Berest, Borys. Istoria Ukrains’koho Kina. New York: Shevchenko Scientific Society, 1962.
Bodyk, Lazar. Dzherela Velykoho Kino: Spohady pro O. P. Dovzhenka. Kyiv: Radians’kyi pys’mennyk, 1965.
Bond, R. “Dovjenko on the Sound Film.” Close-up 7.4 (1930): pp. 273-275.
Borshchevs’kyi, V.M. “Mohutnia tvorcha indyvidual’nist’. Stattia M. Ryl’s’koho ‘Oleksander Dovzhenko’ v 10 klasi.” Ukrains’ka mova i literatura v shkoli 1972. 12: 41-46.
Brakhage, Stan. “Alexander Dovzhenko” in his Film Biographies. Berkeley: Turtle Island, 1977. pp. 273-89.
Buchma, Amvrosii. “Talant i sertse.” Mystetstvo 1956.6: pp.46-47.
Capdenac, Michel. “Julia Solntseva et la terre ukrainienne.” Les Lettres francaises 25 May 1961.
Carynnyk, Marco. “Na pozharyshchakh velykoi materi-vdovytsi.” Novyny kinoekranu 1990.9: 2 and 1990.10:4-5.
Carynnyk, Marco. ed. and trans. Alexander Dovzhenko: The Poet as Filmmaker. Cambridge, MA: MIT Press, 1973.
Carynnyk, Marco. “The Dovzhenko Papers.” Film Comment 7.3 (1971): pp. 34-41.
Deslav, Ievhen. “O. Dovzhenko i Stalin.” Ukrains’kyi ohliad (New York) 1961.6: pp. 78-81.
Doroshenko, V. “Literaturni usmishky Ostapa Vyshni pochatku 20-kh rokiv.” Naukovi zapysky Kharkivs’koho pedinstutu. Filolohichna seriia. Vol. 30, 1958. pp. 3-19.
Doroshenko, V.A. “Satira Ostapa Vyshni na mezhdunarodnye temy.” Uchenye zapiski Khar’kovskogo bibliotechnogo instituta, vyp. 6, Voprosy literatury, 1962. pp. 57-90.
“Dovzhenko issue” Film (Venice) August 1957.
Duda, M. “Velet veleta piznav: O. Dovzhenko na kontserti khoru O. Koshytsia (1922).” Kul’tura i zhyttia 6 November 1988.
Dziuba, I. “Vidkryttia chy zakryttia shkoly?” (1970) Kul’tura i zhyttia 26 March 1989.
Dziuba, I. “Z pozytsii novatorstva: Shtrykh do svitovoho kontekstu estetyky ukrains’koho myttsia.” Literaturna Ukraina 13 September 1984.
Dziuba, I. “Znaky dukhovnoi spivmirnosti: Do 90-richchia z dnia narodzhennia O. Dovzhenka.” Vsesvit 1984.9: 148-153.
Dziuba, Ivan. “Dovzhenko i svit.” Vitchyzna 1984.9: 164-72.
Dziuba, Ivan “U pratsi zrostaiut’ heroi.” Dnipro 1959.3: pp. 136-49.
Eisenstein, Sergei. “Rozhdenie mastera.” Iskusstvo kino 1940.1-2: pp. 94-95.
Gerasimov, S. “Lichnost’ neobyknovennaia.” Iskusstvo kino 1964.9: pp. 13-20.
Gobner, Rolf. “Die kunstlerische Methode Dowshenkos: Entstehung und Wandlung eines poetischen Weltbildes im Dialog mit Zeit.” Erbe und Erben: Traditionsbeziehungen sowjetischer Schriftsteller. Ed. Edward Kowaski and Georgi I. Lomidse. Berlin: Aufbau, 1982. pp. 200-204.
Gobner, Rolf. “Zur Wechselwirkung von Film, Theater und Literatur in der ukrainischen Kunstentwicklung der 2034 Jare: Neuleistung und Traditionsverstandnis des jungen Dovzhenko.” Zeitschrift fur Slawistik 27 (1982): pp. 619-26.
Honchar, Oles’. “Mir Khudozhnika.” Iskusstvo kino 1974.9: pp. 15-30.
Honchar, Oles. “Pevets naroda.” Molodaia gvardiia 1959.11: pp.120-124
Honchar, O. “Mir Aleksandra Dovhenko.” trans. E. Tardo, Raduga 1974.9: pp. 147-57.
Hryshchenko, Oleksandr. Z berehiv zacharovanoi desny. Kyiv: Molod’, 1964.
Ianovs’kyi, Iurii. “Hollivud na berezi Chornoho Moria” in his Tvory v piaty tomakh, vol. 5. Kyiv: Radians’kyi pys’mennyk, 1959.
---.”Rezhyser Oleksander Dovzhenko.” Zhyttia i revoliutsiia 1928. 3: pp. 103-110.
Iurchenko, I. “Kinofikovani’ formalisty.” (Zvenyhora and Zemlia) Krytyka 1931.10: pp. 116-129.
Iureven, Rostislav. Aleksandr Dovzhenko. Moskva: Iskusstvo, 1959.
Jacobs, Lewis. “Dovjenko.” The Left 1.1 (Spring 1931): 78-79.
Jacobs, Lewis. “Dovzhenko.” Experimental Cinema 1.5 (1934): 37.
Kavaleridze, M. “Sashko.” Prapor 1963.3: 96-97.
Kepley, Vance, Jr. In the Service of the State: The Cinema of Alexander Dovzhenko. Madison, WI: U of Wisconsin Press, 1986.
Kholod, E. “Poeziia Ryl’skogo v Fil’makh Dovzhenko.” Raduga 1967.4: pp. 148-49.
Kholostenko, Ie. “V ARMU.” Pluzhanyn 1926. 12: 25.
Khvylia, A. “Kino-pechat’ i kinokritika. Doklad na Vseukrainskom partiinom kino-soveshchanii.” Proletarii Febrary 4, 1928.
Knight, Arthur. The Liveliest Art: A Panoramic History of the Movies. New York: Macmillan, 1957.
Kochergan, Iu. F. “Ritm i intonatsiia v proze Iu. Ianovskogo i A. Dovzhenko.” Filogicheskie nauki 1987.5: pp. 32-35.
Kocherhan, Iu. F. “Problema estetychnoho idealu” Ukrains’ka mova i literatura v shkoli 1988.12: 65-67.
Kocherhan, Iuliia Fedorivna. Oleksandr Dovzhenko: Problemy maisternoisti. L’viv: Vyshcha shkola, 1983.
Kokhno, L. Danylo Porfyrovych Demuts’kyi. Kyiv: Mystetstvo, 1965.
Kondrat’eva, D.K. “Aleksandr Fadeev i pisateli-romantiki bratskikh respublik (A. Dovzhenko, S. Vurgun).” Voprosy literatury narodov SSSR vyp. 1, 1975. 130-43.
Kononenko, I.V. “Iak pereklasty metaforu (Na materliali tvorchosti O. Dovzhenka). Kul’tura slova vyp. 25, 1983. pp. 62-66.
Konovalova, I. and Konovalov, H. “Khudozhnyk-iliustrator z Hartu.” Dnipro 1965.11: pp. 126-135.
Korniienko, I.S. Oleksandr Dovzhenko. Kyiv: Naukova Dumka, 1978.
Korohods’kyi, Roman. “Dovzhenko: Holos Tysyacholittia” Suchasnist. Miunkhen 1995 (12). pp. 108125.
---. “Nemaye Motoroshnishii Kartyny, Nizh Pohybel’ Narodu” Suchasnist, 1994. pp. 161-167.
--.Dovzhenko v Poloni. Kyiv: Helicon, 2000.
Koshelivets, Ivan. Oleksandr Dovzhenko: Sproba tvorchoi biohrafii. Munich: Suchasnist’, 1980.
Koszeliwec, Ivan. “Danylo Demutsky, Cameraman” in Film Culture. 70-71 (1983). p. 150. (trans. from Koshelivets Dovzhenko biography)
Koshelivets on Dovzhenko:“Pro Zatemneni Mistsia V Biohrafii Oleksandra Dovzhenka” Dnipro: Literaturno Khudozhnii ta Suspil’no Politychnyi Zhurnal (Special Issue Devoted to Alexander Dovzhenko) 9-10: Kyiv Veresen-Zhovten, 1994. This whole issue is excellent in terms of its wealth of different Dovzhenko articles. (See also Dnipro #4, 1989 for uncensored diary excerpts.
Kovaliv (Berest), Borys. Oleksandr Dovzhenko: Krytychna monohrafiia. New York: Shevchenko Scientific Society, 1961.
Krautz, A. “Alexander Dowshenko un der Einfluss progressiver bildender Kunstler des Berlins der 20er Jahre.” Filmwissenschaftliche Beitrage 16.2 (1975): 208-218.
Krautz, A. “Zu Problemen des stilistischen Einflusses der bildenden Kust auf die Stummfilme Alexander Dowshenko.” Information (Berlin, GDR) 1977.2: pp. 85-105. (English translation at MOMA)
Kriz’ Kinoobiektyv chasu: spohady veteraniv ukrains’koho kino. Kyiv: Mystetstvo, 1970. (Dovzhenko’s cinematographer L. Bodyk)
Kryvko, Ia. “O. P. Dovzhenko v Khlukhovi” Radians’ke literaturoznavstvo 1965. 11: 73-74.
Kutsenko, M. Storinky zhyttia i tvorchosti O.P. Dovzhenka. Kyiv: Dnipro, 1975.
Kuziakina, N. “Oleksandr Dovzhenko ta Les Kurbas.” Ukrainskyi teatr 1989.6: pp. 8-11.
Langlois, Henri. “Henri Langlois présente. . .Dovjenko.” L’Avant-Scène du Cinéma 182 (1977): pp. 35-36.
Lavrinenko, Iurii. “Oleksander Dovzhenko” in Rozstriliane vidrodzhennia. Paris: Kultura, 1959. pp. 853-66.
Levchenko, Mykhailo. “Sertsia okeans’ki. Uroky druzhby i spivratsi samobutnikh myttsiv.” (O.D. and V. Maiakovskii) Literaturna Ukraina 4 January 1972.
Leyda, Jay. An Index to the Creative Work of Alexander Dovzhenko (Special Supplement to Sight and Sound, Index Series, No. 12) London, 1974.
Leyda, Jay. Kino: A History of the Russian and Soviet Film. Third Ed. Princeton, N.J.: Princeton UP, 1983.
Mar’iamov, A. Dovzhenko. Seriia: Zhizn’ zamechatel’nykh liudei, vyp. 24. Moskva: Molodaia gvardiia, 1968.
Marshall, Herbert. Masters of the Soviet Cinema: Crippled Creative Biographies. London: Routledge, 1983. pp. 98-186.
Mayne, Judith. Kino and the Woman Question: Feminism and Soviet Silent Film. Columbus: Ohio Statue University Press, 1989. pp. 57-64.
Montagu, Ivor. “Dovzhenko - Poet of Life Eternal” Sight and Sound 27.1 (1957): 44-48.
Moussinac, Léon. “Dovjenko ou l’amour exaspéré de la terre d’Ukraine.” Les Lettres Françaises 6-12 December 1956.
Nebesio, Bohdan. The Cinema of Alexander Dovzhenko. Journal of Ukrainian Studies. Volume 19, No. 1.
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Oms, Marcel. Alexandre Dovjenko. Lyon: Soc. d’études, recherches et documentation cinématographiques (Premier Plan, 48), 1968.
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Paustovski, Constantin. “Les Falaises du Dniepr.” Les Lettres françaises June 7 1968.
Pertsov, V.O. “Chelovek - priroda - tekhnika v khudozhestvennom myslenii Maiakovskogo, Esenina, Dovzhenko.” in Novaia istoricheskaia obshchnost’ liudei - sovetskii narod i literatura sotsialisticheskoho realizma. Nauchnaia Konferentsia. Materialy. Moskva, 1972.
Pertsov, V. Vsevolod Vishnevskii, Aleksandr Dovzhenko. Moskva: Sovetskii pisatel’, 1967.
Plachynda, Serhii, ed. Dovzhenko i svit: Tvorchist’ O.P. Dovzhenka v Konteksti svitovoi Kul’tury. Kyiv: Radianskyi pys’mennyk, 1984.
Plachynda, Serhii. Oleksandr Dovzhenko: Zhyttia i tvorchist’. Kyiv: Radians’kyi pys’mennyk, 1964.
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Pryhorovs’kyi, V. “Oleksandr Dovzhenko - pedahoh.” Zhovten’ 1974.9 pp. 124-128.
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---. Zemli i Lyudstva Polum’yanyi Syn: Vinok Oleksandrovi Dovzhenku. (Anthology of Poetry and Panygeric to Dovzhenko). Kyiv: Ukrainskyi Pys’mennyk, 1993.
Pudovkin, V. “Liniia ogromnogo soprotivleniia.” Kino-gazeta 24 November 1932; Kino (M) 24 December 1932
Pudovkin, Vsevolod. “Put’ Dovzhenko - pravil’nyi put’.” Kino-gazeta 30 November 1932
Pudovkin, V. “Za tselestnost’ i chestnost’.” Kino (M) 30 December 1932.
Pudovkin, Wsewolod; Michail Romm; Aleksander Dowshenko; Lew Kuleschow. Der sowjetische Film. Berlin, 1953.
Rachuk, Igor. Poetika Dovzhenko. Moskva: Iskusstvo, 1964.
Richter, Hans. “Brulle China! Naum Gabo. Kasimir Malewitsch. Der Mann mit der Kamera. Kuleschow. S. M. Eisenstein. W.I. Pudowkin. Dowjenko.” in Kopfe und Hinterkopfe. Zurich: Arche Verlag AG, 1967. Reprinted in Russen in Berlin: Literatur Malerei Theatre Film 1918-1933. Herausgegeben von Fritz Mierau, Leipzig: Verlag Philipp Reclam jun., 1987. 483-503.
Robinson, David. “Dovzhenko: Notes on the Director’s Work before Zvenigora.” The Silent Picture (London) 8 (1970): 11-14.
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Sadoul, Georges. “Le dernier portrait de Dovjenko par lui-meme.” et “Biofilmographie d’Alexandre Dovjenko” Cahiers du Cinema 19.112 (1960):28-44.
Savchenko, Ia. Narodzhennia ukrains’koho radians’koho kina: try fil’my O. Dovzhenka. Kyiv: Ukrateakinovydav, 1930.
Schnitzer, Luda et Jean. Alexandre Dovjenko. Classiques du Cinéma No. 24. Paris: Editions Universitaires, 1966.
Shklovskii, Viktor. “Happiness” Lenin Prize Winners: Soviet Stars - Masters of Stage and Screen. ed. Alexander Lipovsky. Moskva: Progress, 1969. 83-87.
Shklovskii, V. “Dve neudachi.” Kino-gazeta 30 November 1932.
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Shub, E. “Ne tol’ko bol’shio master no i izobretitel’.” Kino-gazeta 30 November 1932.
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Sobolev, Romil. Aleksandr Dovzhenko. Moskva: Iskusstvo, 1980.
Solntseva Iu. ed. Aleksandr Dovzhenko: kinorezhisser, pisatel’, khudozhnik. Moskva: Biuro propagandy sovetstkogo kinoiskusstva, 1972.
Solntseva, Iu. ed. Aleksandr Dovzhenko. “Ia prinadlezhu k lageriu poeticheskomu. . .” Stat’i, vystupleniia, zametki. Moskva: Sovetskii pisatel’, 1967.
Solntseva, Iu. ed. Polumiane zhyttia: Spohady pro Oleksandra Dovzhenka. Kyiv: Dnipro, 1973.
Stalin, I.V. “Pro antylenins’ki pomylky i natsionalistychni perekruchennia v kinopovisti Dovzhenka Ukraina v ohni: Vystup I.V. Stalina 31 sichnia 1944 roku.” Literaturna Ukraina 5 July 1990.
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Svashenko, S. “Nezabutnie.” Mystetstvo 1967 6: 34-36.
Sverstiuk, Evhan. “Alexander Dovzhenko: Rozpyatiy Pravoruch”. Suchasnist #10 Zhovten, 1994. pp. 137-145.
Tarnavs’kyi Ostap. “Oleksander Petrovych Dovzhenko.” Novi dni 35 (December 1984): 13-16.
Tisse, E. “Edinyi stil’ operatorskoi raboty.” Kino (M) 6 November 1935.
Trauberg, L. “Pust’ vysoko letaiut ptitsy.” Nedelia 5 December 1964.
Trymbach, S. “Tvorchestvo A. P. Dovzhenko i narodnaia kul’tura.” Iskusstvo kino 1979.10: 81-90.
Tychyna, Pavlo. “Pro Tvorchyi podvyh O. Dovzhenka.” Vitchyzna 1959.3: 149-53.
Various Authors. Dnipro: Literaturno Khudozhnii ta Suspil’no Politychnyi Zhurnal, (9-10) Veresen-Zhovten, 1994 . Special Issue Devoted to a Post-Soviet Reevaluation of Alexander Dovzhenko. Ivan Koshelivets on Dovzhenko:“Pro Zatemneni Mistsia V Biohrafii Oleksandra Dovzhenka. Neoppublikovani Lysty: Oleksandra Dovzehnko. Oleksandr Dovzhenko ta Les Kurbas. Dovzhenko i Khvylovy: Pershy Storkinky Dovzhenkiana. Natalya Kyzyakina. Serhiy Trymbach. republication of Vasyl Khmuryi“Notatke pro teatr, Kino ta Prosorove Myetsttvo” (1930). Alla Zhukova.
Vainshtein, Samuil. “Budivnychyi. Spohady arkhitektora.” Mystetstvo 1966.6: 26.
Vinhranovskyi, M. “Rik iz Dovzhenkom.” Dnipro 1980.9: 135-9.
Vlasov, M.P. Geroi A.P. Dovzhenko i traditsii fol’klora. Moskva: VGIK Kafedra istorii kino, 1962.
Vlasov, M.P. O siuzhete fil’mov A.P. Dovzhenko. Moskva:VGIK Kafedra kinovedeniia, 1965.
Vyshnia, Ostap. “Mystets’ki syluety. Oleksandr Dovzhenko.” Kul’tura i pobut (supplement to Visti) 25 February 1928. reprinted in Tvory v 7 tomakh, vol. 4. Kyiv: Dnipro, 1964. 159-62. (also in Lavrinenko, ibid.)
Zolotverkhova, I., and Konovalov, H. Dovzhenko-khudozhnyk. Kyiv: Mystetstvo, 1968. (contains important bibliographies regarding Dovzhenko’s earlier fine art associations and references)
Introduction |Zvenyhora (1928) | Arsenal (1929) | Earth (1930) | Conclusions|
Filmography | Earth Chronology | Bibliographies | Contact